SK Selanik fonts from Salih Kizilkaya

SK Selanik fonts from Salih Kizilkaya - (rldyi)

Designed by Salih Kizilkaya, SK Selanik is a sans serif font family. This typeface has forty styles and was published by Salih Kizilkaya.

SK Selanik

SK Selanik is a double weight geometric sans serif font family. It is named after Thessaloniki, one of the largest cities in Greece. This font, which depicts the historical texture of Thessaloniki with modern forms, is a synthesis of the past and today’s design understanding.

This font family includes a total of 40 fonts and 35,720 glyphs. It offers full support for the Latin, Greek and Cyrillic alphabets and supports hundreds of different languages. In this way, it contains all the typographic elements you will need. You can easily use it in all areas and sizes you need, from headings to body texts.

SK SelanikDownload NowView Gallery

King's Valley fonts from Fenotype - (pxugn)

Designed by Emil Bertell, King's Valley is a display serif and serif font published by Fenotype . King's Valley King’s Valley is an elegant serif typeface with plenty of features. It’s equipped with Standard Ligatures and Swash, Stylistic and Titling Alternates for more showy designs. Access the alternates from OpenType panel in any OpenType savvy program, or seek them from Glyphs / Character -window. King's Valley Download Now View Gallery

Summer Motion fonts from Seemly Fonts - (oqyyi)

Designed by Md. Shohail Bhuiyan, Summer Motion is a hand display font published by Seemly Fonts . Summer Motion Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery. Summer Motion Download Now View Gallery

Golden Decades fonts from Dharma Type - (iaoqt)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Golden Decades Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and...

Esther Chesnokova

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