SK Greenland fonts from Salih Kizilkaya

SK Greenland fonts from Salih Kizilkaya - (adztl)

Designed by Salih Kizilkaya, SK Greenland is a sans serif font family. This typeface has fourteen styles and was published by Salih Kizilkaya.

SK Greenland

SK Greenland is a humanist sans serif font family with geometric and organic forms. Synthesizing Greenland’s thousands of years of organic history and modern period, this font combines the organic nature of Greenland with the geometric structure of its urban areas.

This font family, which contains 14 fonts and 9856 glyphs in total, contains all the typographic elements you will need in your designs. You can use this font family, which includes many unique ligatures, without any problems, from headlines to long text. Greenland offers full support for the Latin alphabet while also supporting many other alphabets.

SK GreenlandDownload NowView Gallery

King's Valley fonts from Fenotype - (pxugn)

Designed by Emil Bertell, King's Valley is a display serif and serif font published by Fenotype . King's Valley King’s Valley is an elegant serif typeface with plenty of features. It’s equipped with Standard Ligatures and Swash, Stylistic and Titling Alternates for more showy designs. Access the alternates from OpenType panel in any OpenType savvy program, or seek them from Glyphs / Character -window. King's Valley Download Now View Gallery

Summer Motion fonts from Seemly Fonts - (oqyyi)

Designed by Md. Shohail Bhuiyan, Summer Motion is a hand display font published by Seemly Fonts . Summer Motion Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery. Summer Motion Download Now View Gallery

Golden Decades fonts from Dharma Type - (iaoqt)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Golden Decades Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and...

Esther Chesnokova

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