AmpleNuSoft fonts from SoneriType

AmpleNuSoft fonts from SoneriType - (xttav)

Designed by Aakash Soneri, AmpleNuSoft is a display sans font family. This typeface has twelve styles and was published by SoneriType.

AmpleNuSoft

AmpleNuSoft is a display type family derived from the AmpleNu typeface by softening the edges.

It has optical mono-linear stroke and a bit squarish form in nature. It has a seamless stroke movement instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design.

It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which help to elaborate and emphasize the message. It is graphically strong and commands the viewer’s attention. The overall appearance of type is suitable for setting and using it as heading, title, headline, logotype, etc.
The type family consists of twelve styles which include six upright weights and their italics.

AmpleNuSoft has a bit more squarish counters and angles than Ample typeface, it even has straight terminals while Ample has a slight curve. In addition to this, few characters have some major or minor changes and the letter ‘g’ plus ‘y’ and their respective diacritics have alternate style variations.

AmpleNuSoft is designed by Aakash Soneri during the period between 2020-2021.

AmpleNuSoftDownload NowView Gallery

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Designed by Emil Bertell, King's Valley is a display serif and serif font published by Fenotype . King's Valley King’s Valley is an elegant serif typeface with plenty of features. It’s equipped with Standard Ligatures and Swash, Stylistic and Titling Alternates for more showy designs. Access the alternates from OpenType panel in any OpenType savvy program, or seek them from Glyphs / Character -window. King's Valley Download Now View Gallery

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Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Golden Decades Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and...

Esther Chesnokova

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